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When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy (Hilary Swank). Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs (Tommy Lee Jones), to join her. The unlikely pair and the three women (Grace Gummer, Miranda Otto, Sonja Richter) head east, where a waiting minister and his wife (Meryl Streep) have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat. (C) Roadside Entertainment.
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Name : Bilge Ebiri / Alias : New York Magazine/Vulture
I was impressed with how Jones's uncomfortable mixing of tones in the first half of the film gave way to something more elegiac and evocative by the end.
Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Swank, an Oscar winner for "Boys Don't Cry" and "Million Dollar Baby," is outstanding, getting to the essence of Mary Bee's pride and pain. And in the showier role, Jones impressively peels away layers of rambunctiousness to reveal George's humanity.
Name : Colin Covert / Alias : Minneapolis Star Tribune
The film has more surprising turns than a honeycomb has bees. Absurdity and calamity collide without warning.
Name : Anthony Lane / Alias : New Yorker
Certainly, there is a sturdiness to it, and a stubborn want of haste, that might have earned an approving growl from John Ford.
Name : Tom Long / Alias : Detroit News
If only things had started out on more solid ground and headed toward some sort of resolution. If only.
Name : Moira MacDonald / Alias : Seattle Times
Swank and Streep are big stars with famous faces, and yet disappear into their roles; these characters convey both quiet strength and gentle kindness.
Name : Steven Rea / Alias : Philadelphia Inquirer
At a certain point, The Homesman will take you by surprise. By the end . it will take your heart.
Name : Lou Lumenick / Alias : New York Post
Title and director notwithstanding, Tommy Lee Jones' "The Homesman'' is very much a feminist Western - one painting a vivid picture of how difficult it was for even a strong and determined woman to survive in frontier days.
Name : Bill Goodykoontz / Alias : Arizona Republic
A film that looks at first glance like a conventional Western but goes to unusual places.
Name : Joe Morgenstern / Alias : Wall Street Journal
Everyone has a favorite Tommy Lee Jones performance. Until now I didn't have my least favorite, but "The Homesman" provides it, and is ruined by it.
Name : Rex Reed / Alias : New York Observer
A grand, shocking saga of a movie, The Homesman is the kind they don't make much anymore.
Name : Stephen Whitty / Alias : Newark Star-Ledger
A strange, and beautiful movie, full of odd touches - a knife fight in the middle of a desolate wasteland, a gravestone made from a bed's headboard, a piece of embroidery that stands in for a much-missed keyboard - that haunt after the film's done.
Name : Ben Sachs / Alias : Chicago Reader
As the protagonists near their final destination, The Homesman offers a critique of civilization that's almost as pessimistic as its critique of frontier life, suggesting that in every corner of America there have always been more losers than winners.
Name : Rene Rodriguez / Alias : Miami Herald
Parts of The Homesman are a slog to sit through, but the movie ends on a note of absurd comedy that also breaks your heart, suggesting that some people, no matter the circumstances, are incapable of change.
Name : Claudia Puig / Alias : USA Today
The Homesman aims for a story that's poignant and told sparely, but comes across as mawkish, tedious and self-indulgent.
Name : Elizabeth Weitzman / Alias : New York Daily News
There's a thrilling undercurrent of rebellion in the way this straightforward, seemingly old-fashioned Western takes up the feminist cause.
Name : Jordan Hoffman / Alias : Film.com
If this is a revision to the revisionist westerns ushered in by "Unforgiven," I'll stay back East(wood.)
Name : Peter Howell / Alias : Toronto Star
The Homesman is a western hard and true, one that probably comes closer to depicting the hardships of frontier life than any number of more conventional oaters.
Name : Mick LaSalle / Alias : San Francisco Chronicle
Few will regret having seen "The Homesman," and yet it's not exactly an enjoyable experience.
Name : Inkoo Kang / Alias : TheWrap
"Tommy Lee Jones' riveting Western is bleak and very nearly misanthropic, but it's also passionate, earthy, unpredictable, sensitive, and gloriously distinct."
Name : Michael Phillips / Alias : Chicago Tribune
Right or wrong, "The Homesman" belongs to Jones and Swank, and for Western aficionados it's worth seeing.
Name : Todd McCarthy / Alias : Hollywood Reporter
An absorbing, melancholy look at the hard lot of women in the Old West.
Name : John Anderson / Alias : Newsday
Wanders along the lonesome trail, then heads off into the underbrush.
Name : Keith Uhlich / Alias : Time Out New York
It doesn't help that Swank never finds a way into this highly unappealing character, or that Jones (mostly phoning in the pitiable surliness) avoids delving very deeply into the story's proto-feminist undercurrents.
Name : Wesley Morris / Alias : Grantland
The development probably works in Glendon Swarthout's novel of the same name, where Swank is nowhere in sight. But not in the theater. You're tempted to give up on the movie because it feels as if the movie has given up on her.
Name : Andrew O'Hehir / Alias : Salon.com
A wrenching, relentless and anti-heroic western that stands among the year's most powerful American films. Not everyone will like "The Homesman," but if you see it you won't soon forget it.
Name : A.O. Scott / Alias : New York Times
"The Homesman" is both a captivating western and a meticulous, devastating feminist critique of the genre.
Name : Stephanie Merry / Alias : Washington Post
Some recent interviews with Jones paint him as a bit of a curmudgeon. But he's right to push back against being put into a box. "The Homesman" succeeds mainly because it and he don't neatly fit into one.
Name : Ignatiy Vishnevetsky / Alias : AV Club
Integrity and personality can go a long way, especially in a movie as unquestionably flawed as The Homesman.
Name : Peter Travers / Alias : Rolling Stone
This fem-centric Western from actor-director/co-writer Tommy Lee Jones walks the tightrope between comic and tragic. Jones and Hilary Swank ignite combustibly.
Name : Chris Nashawaty / Alias : Entertainment Weekly
While the film is bathed in a beautiful magic-hour glow courtesy of cinematographer Rodrigo Prieto, Jones' journey doesn't quite take off.
Name : Jon Frosch / Alias : The Atlantic
Jones continues to craft evocative, painterly images, and he takes real risks with tone, shifting from tragic to comic without the usual cues or transitions.
Name : Ty Burr / Alias : Boston Globe
For a movie headlined by two Oscar-winning Hollywood stars - and directed and co-written by one of them - "The Homesman" is awfully close to outsider art.
Name : Jake Coyle / Alias : Associated Press
The melancholic balance isn't always quite right and the momentum wanes when it should be gaining.
Name : Peter Debruge / Alias : Variety
Unlike other actor-directors, Jones never seems to indulge excess on the part of his cast. Though the characters are strong, the performances are understated.
Name : Pete Vonder Haar / Alias : Village Voice
Glendon Swarthout's 1988 novel offered a rare approach to . Old West stories by shifting the focus to the women and children who often bore its brunt the worst, and Jones has - for the most part - successfully captured this .
Name : Geoff Pevere / Alias : Globe and Mail
It's as stubbornly and cantankerously eccentric as both its wagon drivers, not to mention driven to blaze its own trail through the narrative and mythological landscape of America's defining story form.
Name : Ella Taylor / Alias : NPR
The Homesman joins a stark, stripped-down beauty to a languid pace and a spare soundtrack to create an ambience that reeks of loneliness and alienation.
Name : Betsy Sharkey / Alias : Los Angeles Times
"The Homesman" may sound like a title conferred on a man, and George Briggs may be driving the wagon. But it is Mary Bee's persistence and prayers that carry the women, and the film, flawed as it sometimes is, home.
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Viewing now before deleted.!! On this week movie great on cinema is The Homesman and the movie The Homesman Pelicula get viewer most to watch this movie. Cinema like Youtube, 4K Ultra HD, Solarmovie, etc have thousand visitors/2h. This movie The Homesman great come from this channel (http://pelicula.putlockermovie.net/?id=2398231) and this great movie The Homesman Pelicula can download and watch for free unlimited.
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy (Hilary Swank). Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs (Tommy Lee Jones), to join her. The unlikely pair and the three women (Grace Gummer, Miranda Otto, Sonja Richter) head east, where a waiting minister and his wife (Meryl Streep) have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat. (C) Roadside Entertainment.
Name : Bilge Ebiri / Alias : New York Magazine/Vulture
I was impressed with how Jones's uncomfortable mixing of tones in the first half of the film gave way to something more elegiac and evocative by the end.
Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Swank, an Oscar winner for "Boys Don't Cry" and "Million Dollar Baby," is outstanding, getting to the essence of Mary Bee's pride and pain. And in the showier role, Jones impressively peels away layers of rambunctiousness to reveal George's humanity.
Name : Colin Covert / Alias : Minneapolis Star Tribune
The film has more surprising turns than a honeycomb has bees. Absurdity and calamity collide without warning.
Name : Anthony Lane / Alias : New Yorker
Certainly, there is a sturdiness to it, and a stubborn want of haste, that might have earned an approving growl from John Ford.
Name : Moira MacDonald / Alias : Seattle Times
Swank and Streep are big stars with famous faces, and yet disappear into their roles; these characters convey both quiet strength and gentle kindness.
Name : Lou Lumenick / Alias : New York Post
Title and director notwithstanding, Tommy Lee Jones' "The Homesman'' is very much a feminist Western - one painting a vivid picture of how difficult it was for even a strong and determined woman to survive in frontier days.
Name : Rex Reed / Alias : New York Observer
A grand, shocking saga of a movie, The Homesman is the kind they don't make much anymore.
Name : Ben Sachs / Alias : Chicago Reader
As the protagonists near their final destination, The Homesman offers a critique of civilization that's almost as pessimistic as its critique of frontier life, suggesting that in every corner of America there have always been more losers than winners.
Name : Rene Rodriguez / Alias : Miami Herald
Parts of The Homesman are a slog to sit through, but the movie ends on a note of absurd comedy that also breaks your heart, suggesting that some people, no matter the circumstances, are incapable of change.
Name : Claudia Puig / Alias : USA Today
The Homesman aims for a story that's poignant and told sparely, but comes across as mawkish, tedious and self-indulgent.
Name : Jordan Hoffman / Alias : Film.com
If this is a revision to the revisionist westerns ushered in by "Unforgiven," I'll stay back East(wood.)
Name : Inkoo Kang / Alias : TheWrap
"Tommy Lee Jones' riveting Western is bleak and very nearly misanthropic, but it's also passionate, earthy, unpredictable, sensitive, and gloriously distinct."
Name : Michael Phillips / Alias : Chicago Tribune
Right or wrong, "The Homesman" belongs to Jones and Swank, and for Western aficionados it's worth seeing.
Name : Todd McCarthy / Alias : Hollywood Reporter
An absorbing, melancholy look at the hard lot of women in the Old West.
Name : John Anderson / Alias : Newsday
Wanders along the lonesome trail, then heads off into the underbrush.
Name : Keith Uhlich / Alias : Time Out New York
It doesn't help that Swank never finds a way into this highly unappealing character, or that Jones (mostly phoning in the pitiable surliness) avoids delving very deeply into the story's proto-feminist undercurrents.
Name : Wesley Morris / Alias : Grantland
The development probably works in Glendon Swarthout's novel of the same name, where Swank is nowhere in sight. But not in the theater. You're tempted to give up on the movie because it feels as if the movie has given up on her.
Name : Andrew O'Hehir / Alias : Salon.com
A wrenching, relentless and anti-heroic western that stands among the year's most powerful American films. Not everyone will like "The Homesman," but if you see it you won't soon forget it.
Name : Stephanie Merry / Alias : Washington Post
Some recent interviews with Jones paint him as a bit of a curmudgeon. But he's right to push back against being put into a box. "The Homesman" succeeds mainly because it and he don't neatly fit into one.
Name : Ignatiy Vishnevetsky / Alias : AV Club
Integrity and personality can go a long way, especially in a movie as unquestionably flawed as The Homesman.
Name : Jon Frosch / Alias : The Atlantic
Jones continues to craft evocative, painterly images, and he takes real risks with tone, shifting from tragic to comic without the usual cues or transitions.
Name : Ty Burr / Alias : Boston Globe
For a movie headlined by two Oscar-winning Hollywood stars - and directed and co-written by one of them - "The Homesman" is awfully close to outsider art.
Name : Peter Debruge / Alias : Variety
Unlike other actor-directors, Jones never seems to indulge excess on the part of his cast. Though the characters are strong, the performances are understated.
Name : Geoff Pevere / Alias : Globe and Mail
It's as stubbornly and cantankerously eccentric as both its wagon drivers, not to mention driven to blaze its own trail through the narrative and mythological landscape of America's defining story form.
